Zombi Child

Directed by Bertrand Bonello
Film Movement
2019
103 Minutes
France
French, Creole, English
Drama, Horror, Coming of Age
Not Rated

Haiti, 1962. A man is brought back from the dead only to be sent to the living hell of the sugarcane fields. In Paris, 55 years later, at the prestigious Légion d’honneur boarding school, a Haitian girl confesses an old family secret to a group of new friends - never imagining that this strange tale will convince a heartbroken classmate to do the unthinkable.

Director & Cast

Trailer

Photos

Reviews

  • "Mixing political commentary, ethnography, teenage melodrama and genre horror, the film is an unashamedly cerebral study of multiple themes – colonialism, revolution, liberalism, racial difference and female desire - with its unconventional narrative structure taking us a journey that’s as intellectually demanding as it is compelling. Bonello takes Haitian history and culture absolutely seriously, and in juxtaposing them with the most exclusively white French experience imaginable..., Zombi Child poses timely and provocative questions. Crisp lensing by Yves Cape, Katia Wyszkop’s design, and music by artists including rapper Damso, plus Bonello himself, combine to make a richly conceived piece. Strong performances from the young cast, including charismatic newcomer Louimat, make this a zombi drama that’s not undead but bracingly alive."
    Jonathan Romney, Screen Daily
  • "Instead of overlaying modern-day signifiers on a period piece setting, as he did in House of Pleasures, Zombi Child suggests two temporalities that exist parallel to each other. And the anxiety this creates—through discursive editing and match cuts—leads to a feverish payoff, one that uses genre and supernatural elements to further Bonello’s idea of there being one historical continuity."
    Sam Mac, Slant Magazine
  • "Folding history onto itself more explicitly than any of Bonello’s previous films, “Zombi Child” peels back centuries of racist stereotypes to rescue Voodoo from the stuff of black magic and portray it instead as a kind of communion — a communion between spirits, a communion between generations, and a communion between the dislocated joints of an empire. [E]ven the most terrifying scenes are rooted in something real."
    David Ehrlich, IndieWire
  • "Bonello’s exquisite use of craft, including poetic day-for-night photography by Yves Cape (Holy Motors) and a strong electro-rock score, is definitely a plus, creating an ambiance that bewitchingly accompanies the action. "
    Jordan Mintzer, The Hollywood Reporter
  • "A captivating cinematic experience, Zombi Child is a sorority film about a culture whose members live in the constant presence of death as a result of a powerful and potentially violent link, implicitly referencing topics such as the karma of slavery, the betrayal of values, the loss of memory, the sense of belonging to a community, the power of spirits, myths and reality, the doors of our imagination, etc. These many themes (among others) are very subtly hinted at by Bertrand Bonello from beneath the cloak of what seems to be a modern, girl-focused teen movie but which is actually crossed with a historical film and a semi-ethnographic documentary. It’s a surprising and fascinating mix which will require more than one viewing to reveal all of its earthly secrets."
    Fabien Lemercier, Cineuropa
  • "It gets under your skin, with the audacious and cunning mystique of a magician who always has one more trick prepared. Bonello leaves us hypnotised and hungrily begging for more."
    Ella Kemp, Little White Lies
  • "[W]hat it has going for it is Bonello’s typically seductive craftsmanship—his way with a suggestive cut or a perfect needle drop. I knew from the prologue, a stretch of hypnotically wordless visual storytelling, that I was back in the hands of a filmmaker who’d make the journey worth taking."
    A.A. Dowd, AV Club
  • "The most direct confrontation with the zombie figure, however, could be found in Bertrand Bonello’s Zombi Child, a highlight of the parallel Directors Fortnight section, and indeed of the entire festival. As always with Bonello, the film is both conceptual and visceral as it builds up a dialectical charge between its two storylines and functions equally as a delirious teen-horror reverie, a serious study of the zombie myth, and an open-ended riff on the persistence of the colonial past."
    Dennis Lim, ArtForum
  • "Zombi Child is a stirring and highly peculiar piece of work. The Haiti-set sequences are richly atmospheric while sensitive to the material. The horror lies in the zombie’s experience and how it serves as a metaphor for a nation’s history: enslaved, controlled, debased. Yves Cape’s cinematography here is positively stunning. Silvery moonlight, long drapes of shadow, bodies staggering in the dark, sugarcane fields cast in an eerie nocturnal glow. Bonello’s own Tangerine Dream-style score, too, lends the film a crucial nightmarish potency."
    Martyn Conterio, CineVue
  • "Zombi Child is the kind of lithe and lucid dream that gets its tendrils round your brain stem, so that when all hell finally breaks loose, you can't jolt yourself awake from its grip."
    Robbie Collin, Daily Telegraph
  • "Bonello's deep love for genre, his detailed research into the Haitian culture and his handle on the deft art of making you care for his characters results in a poetic and incredibly moving film."
    Kathryn McLaughlin, SciFi Now
  • "Zombi Child is suspenseful and watchable thanks to impressively sublime uses of lighting and colour, a contrast between earnest teen girl romantic fantasy and arch humour and bursts of pop music. It all culminates in a wildly flamboyant finale, but the shift to standard horror mode ends up being the movie's biggest shock."
    Kevin Ritchie, Now
  • "In his latest film, Zombi Child, Bertrand Bonello complements his usual emphasis on aesthetics with an insightful critique of colonialism and the contradictions of liberalism. Far from clinical or scholarly, however, Zombi Child is teeming with vivid hangout scenes and brilliant slices of life... it is these moments that make the revelations visceral rather than didactic."
    Forrest Cardamenis, Hyperallergic
  • "French director Bertrand Bonello’s experimental horror film dazzles through unconventional storytelling and an electrifying score. “Zombi Child” is a rollercoaster to watch as it clashes together narrative themes, social topics and variations on lighting and music. It’s inventive, it’s lively … it’s cool."
    Alexandra Bentzien, Washington Square News
  • "It’s compelling, entertaining, and ends on terrific sequence after terrific sequence. "
    Joey Magidson, Awards Circuit
  • "[A]n engaging and political piece of cinema."
    Brianna Zigler, Screen Queens
  • "After his exquisite “Nocturama”, Bertrand Bonello returns with another raw, inclusive and accurate take on Millennials’ perspectives and behavior. Blending mysticism, social commentary, environmental issues, horror and teen drama, Bonello scores another goal with this efficient, Gothic-infused coming-of-age story. Mysteriously seductive, it depicts the strong and ambiguous bond of a group of girls forming a special club where they reveal their most dark secrets in order to prove loyalty. Their newest member is a Haitian refugee still in process of adaptation. The story connects past and present, the zombified culture in Haiti, its devastating earthquake, victims and survivors, the current refugee situation in Europe, all seen through the girls’ experiences. A powerful statement on prejudice and the quest for freedom and acceptance, Bonello extracts wickedly fascinating performances from the young cast, while guiding the audience through a haunting experience."
    Roger Costa, Brazilian Press
  • "Bertrand Bonello's bifurcated drama explores the allure of the exotic, and how strongly we may wish that the most far-fetched and fantastical of stories might be true after all. With exceptional cinematography by Yves Cape, the zombie flashbacks are dramatized in an almost documentary fashion, which frankly makes them more horrifying. "
    David Morgan, CBS News
  • "With Zombi Child, Bertrand Bonello has made a film that tries to reclaim the zombie’s classic roots. Returning in it are mystic voodoo tropes and evil voodoo masters, which haven’t really been seen in the genre since its pre-Romero heydays (outside of The Serpent and the Rainbow). But rather than merely being an update of White Zombie and its ilk, Zombi Child takes a postmodern, historical bent that makes the movie into something a whole lot more. Zombi Child ends strongly, telling a powerful story of generational trauma, and re-codifying the meaning of the zombie for new thematic resonance. That the entire movie preceding is gorgeous to look at and poetic in its movements is an easy bonus."
    JM Mutore, Birth.Movies.Death
  • "With "Zombi Child" [Bonello] takes a genre and blows it to smithereens by mashing horror with voodoo, teen coming-of-age, and, of course, the ever-popular zombie thriller. Bonello effectively tackles themes such as freedom, slavery and white privilege. And the final 20 minutes are absolutely riveting including the use of an unexpected but effective classic show tune at the very end."
    Frank J. Avella, EDGE Media Network
  • "Like his other recent films, “Zombi Child” looks and sounds beautiful, lush, and immersive – writer-directors this intellectually ambitious are rarely such seductive stylists as well. ...the film is thrilling to watch, because it truly feels like anything is possible as Bonello teases different directions the film might head. “Zombi Child” is the rare film that’s both rich in ideas and fun, a reckoning with forces colonial powers would like buried, but that won’t stay dead. "
    Joe Blessing, The Playlist
  • "It is a film that breaths, letting each detail marinate in an audience member’s mind, allowing for the film’s elements to be fully fleshed out, creating an unique experience for audiences"
    Stephanie Archer, Film Inquiry
  • "Bertrand Bonello’s latest film ‘Zombi Child’ is a haunting tale of colonialism and faith in a higher power of any kind. [P]repare yourself for a deep and dark look into the roots of slavery in the past 60 years of human history, as well as the modern ways we still treat Black people in France and beyond. Vital barely begins to cover it."
    Liam Haber, The Knockturnal
  • "Whether or not you catch on to the meaning of its warped and spellbinding climax, Zombi Child meritoriously wields slow-burn for an electrifying payoff. Zombi Child marches to an innocuous and bone-chilling beat before unfurling its tapestry of the sacred, absurd, and tragic. But counterbalancing its nuttiness is an ending that represents recovery, the finalization of humanity restored. "
    Caroline Cao, Slash Film

Now Playing

St. Louis International Film Festival St. Louis MO November 7, 2019 November 17, 2019
Quad Cinemas New York NY January 24, 2020 January 30, 2020
Film Society of Lincoln Center New York NY January 24, 2020 January 30, 2020
Nuart Theatre Los Angeles CA February 21, 2020 February 21, 2020