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TERMS & CONDITIONS
Titles from United States
NARCISSISTER ORGAN PLAYER
"[A]n enigmatic performance (and performer) that thrives in absurdity yet isn?t afraid to play with sentimentality. "
- Beth Sullivan, Austin Chronicle
"We feel the ecstasy and anguish of Narcissister as she dives headfirst into her reservoir of pain. And what a thrilling, profound experience it is. Trust me: you?ve never seen anything like it."
- Marlow Stern, The Daily Beast
"A chocolate trifle with an arsenic center. "
- Andrew Barker, Variety
"Has an idiosyncratic charm that pays off in an unexpectedly touching edning."
- David Rooney, The Hollywood Reporter
"Seems to play like a standard culture clash comedy but reveals itself to run significantly deep...[it] it has moments of genuine emotional poignancy."
- Nikki Baughan, Screen Daily
Official Selection - Sundance Film Festival
Winner - Grand Jury Prize - Atlanta Film Festival
"From the frozen plains of North Dakota comes this wonderfully bizarre story about three people searching for love in the oddest way."
- Sundance Institute
"An unnervingly romantic, starkly humorous, and startlingly composed drama."
- Roya Rastegar, The Huffington Post
"Intense and involving. "
- Fionnuala Halligan, Screen Daily
"[A] captivating portrait of the modern art world, and the manner in which it repackages and resells its icons."
- Jason Bailey, Flavorwire
"... it?s the artist himself, still indomitable of spirit even while looking like a horror film character, who gives Shadowman its grotesque fascination."
- Frank Scheck, The Hollywood Reporter
SIDE BY SIDE
- A.O. Scott, The New York Times
"Grade A! Intoxicating."
- Entertainment Weekly
"One of the best movies of the summer."
- The Huffington Post
SIN YOU SINNERS
"Sin You Sinners â?¦finds (Joe Sarno) already occupying the unconscious position of a genuine grindhouse auteur."
- Tim Lucas, Video Watchdog
"Joseph W. Sarno, the cult director of Sin in the Suburbs, Moonlighting Wives and other films...helped establish the sexploitation genre and break down the taboos against erotic content in American cinema."
- The New York Times
SOMEWHERE IN THE MIDDLE
- Jess Carson, Examiner.com
"Fresh and unique..."
- H. Nelson Tracy, Cinemacy.com
"...what rings throughout each film is the filmmaker's commitment to telling our stories."
- Musing Andrea, SuperSelected.com
TAKE ME TO THE RIVER
"Superlatively acted culture-clash indie chillingly evokes primal dread and sexual transgression..."
- Ronnie Scheib, Variety
"Played out like a genuinely strange waking dream...we rarely see such taxing audacity from first time filmmakers."
- The Playlist
"Writer-director Matt Sobel's quietly engaging debut is one of the great discoveries of the 2015 Sundance Film Festival: his fish-out-of-water observations have a personal edge..."
- Ibad Shah, Indiewire
THE AUTOMATIC HATE
"Nothing short of brilliant."
- Alexander Lowe, We Got This Covered
" [One of] the 10 best films I saw at SXSW 2015... [with] the most explosively uncomfortable dinner party scene ever."
- Ryan Lattanzio, Indiewire
"An unconventional love story that also crosses boundaries into a family drama, psychological thriller, mystery and morality play... [it] is fascinating, and creates a film that is both challenging and entertaining."
- Ain't It Cool News
THE BAREFOOT ARTIST
"A poignant documentary about the transformative power of art."
- Michael Rechtshaffen, Los Angeles Times
"There is much healing in "The Barefoot Artist," Glenn Holsten and Daniel Traub's fascinating documentary portrait of the artist Lily Yeh. "
- Andy Webster, New York Times