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THE DARK VALLEY
Official Selection - Berlin Int'l Film Festival
"Visually ravishing! The hills are alive with the sound of gunfire in this alpine revenge drama, a superiour genre piece."
- Stephen Dalton, The Hollywood Reporter
"A unique visual experience out of the novel, in a film that, stylistically, is not too far removed from classic westerns of old, with a typically placed revenge plot situated within this cinematic landscape."
- Stefan Pape, Hey U Guys!
"A brooding atmosphere of suspicion and menace...[with] a tone of grim foreboding!"
- Jessica Kiang, Indiewire
I AM YOURS
"Both thought-provoking and emotional. I cannot wait to see more from [Iram Haq] down the road!"
- The Arts Guild
"Beautifully modulated over a taut 90-odd minutes...audiences remain glued to the screen!"
- The Hollywood Reporter
"It's a brave character and an even braver performance."
- Film School Rejects
LINES OF WELLINGTON
Official Selection - Toronto In'tl Film Festival
Official Selection - New York Film Festival
"[An] epic historical pageant! ...this rambunctious, rollicking affair sends its creator off with full military honours."
- Xan Brooks, The Guardian
"Handsome, generally well acted...and a detailed and smart look at a point in history."
- Oliver Lyttleton, The Playlist
TO KILL A MAN
Winner - Grand Jury Award - Sundance Film Festival
"Impressive! [A] slow-burning revenge thriller...artfully plotted."
- Guy Lodge, Variety
"Subtly intense...a quietly powerful character study!"
- Carlos Aguilar, Indiewire
"To Kill A Man is a deeply serious film, one both socially engaged and morally sophisticated."
- Calum Marsh, Film.com
Winner - France 4 Visionary Award - Cannes Film Festival
"The renaissance of Italian Cinema!"
"[A film that] defies our expectations!"
- Screen Daily
"A fascinating Italian film noir, immaculately made!"
Official Selection - Toronto Int'l Film Festival
"Cannibal pulses from first scene to last...Manuel Martin Cuenca comes into his own!"
- Jonathan Holland, The Hollywood Reporter
"Stunning! Subtle but powerful [with] a magnetic lead performance!"
- Scott Clark, The People's Movies
"A meditative study in precision, pain, loneliness and redemption."
- Shelagh M. Rowan-Legg, Twitch
FOR A WOMAN
Official Selection - Brussels Film Festival
Official Selection - Santa Barbara Int'l Film Festival
"Luminous! [A] beautifully crafted historical melodrama!""
- Boyd van Hoeij, The Hollywood Reporter
"Director Diane Kurys paints an evocative, witty portrait of love, longing, ideology and desolation in post-World War II France. "
- Marci Schmitt, Minneapolis Star Tribune
"This is engrossing stuff, not only in the remarkable details of the parents' lives, but in the psychological nuance with which Kurys imagines them."
- Ben Sachs, Chicago Reader
Official Selection - Karlovy Vary Int'l Film Festival
"Engrossing...pure poetry in motion!"
- Gary Kramer, Philadelphia Metro
"A constant to-and-fro of aspiration and adversity..."
- Shaun Munro, Film School Rejects
"An engaging tale of quiet desperation..."
- Stephen Dalton, The Hollywood Reporter
Winner - Best Actor - Canadian Screen Awards
"An elegantly simple family farming drama [that is]...beautifully shot and impressively performed!"
- Mark Adams, Screen Daily
"Anthony Chen's portrait of a family in 1997 Singapore is one of those rare films that manages to capture an entire period within an intimate slice of life. Beautifully acted and precisely observed, Ilo Ilo is an amazing debut, full of heart and intelligence. "
- Ang Lee, Oscar-winning director
"A small gem about how families learn to persevere during the toughest times...Its emotional wallop sneaks up on you!"
- Tim Grierson, ScreenDaily
"The very beating heart and soul of cinematic storytelling."
- Robert Koehler, Film Comment
2 AUTUMNS, 3 WINTERS
Official Selection - BFI London Film Festival
"A quirky French indie...filled with oodles of visual flourishes."
- Jordan Mintzer, The Hollywood Reporter
"2 Autumns, 3 Winters is the palpable love of cinema on display!"
- Craig Williams, Cinevue
"Beautifully performedâ?¦[with] an insight rarely touched upon in most films!"
- Sacha Stephan, Reel Good