Marie's Story

  • Opens in New York Friday, May 1st
  • "Wonderfully intimate...touching and insightful!" - The Hollywood Reporter
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Human Capital

  • On Cable VOD and iTunes starting Friday, April 17th
  • Winner, Best Actress - Tribeca Film Festival
  • Based on the best-selling novel
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Amour Fou

  • Opens in New York on March 18
  • Cannes Film Festival selection
  • A wry and witty send up of romantic love
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This month's film:

HUMAN CAPITAL

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IN THEATERS NOW See what's coming soon

Directed by Jessica Hausner
Directed by Jean-Pierre Améris
Directed by Eric Rohmer
AMOUR FOU
Directed by Jessica Hausner
YEAR 13 FILM 9
Forever under-appreciated and melancholy, Heinrich is a young poet in Romantic Era Berlin who determines his best way out of despair is to end it all, and he sets about finding a woman to join him in his predetermined departure. Recently diagnosed with a terminal illness, the well-off but unremarkable Henrietta, fascinated by Heinrich's controversial "The Marquise of O," finds his offer intriguing, if a bit strange. And yet, she agrees to navigate the uncharted journey towards a suicide pact with him, at once awkward and enlightening for them both. Rather than a declaration of passionate devotion, Amour Fou - inspired by the actual suicide in 1811 of Heinrich von Kleist and Henrietta Vogel - goes against expectations to become a wry and curious denunciation of dying for love.
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MARIE'S STORY
Directed by Jean-Pierre Améris
YEAR 13 FILM 10
At the turn of the 19th century, a humble artisan and his wife have a daughter, Marie, who is born deaf and blind and unable to communicate with the world around her. Desperate to find a connection to their daughter and avoid sending her to an asylum, the Heurtins send fourteen-year-old Marie to the Larnay Institute in central France, where an order of Catholic nuns manage a school for deaf girls. There, the idealistic Sister Marguerite sees in Marie a unique potential, and despite her Mother Superior's skepticism, vows to bring the wild young thing out of the darkness into which she was born. Based on true events, Marie's Story recounts the courageous journey of a young nun and the lives she would change forever, confronting failures and discouragement with joyous faith and love.
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THE MARQUISE OF O
Directed by Eric Rohmer
Already an established filmmaker by the 1976 release of THE MARQUISE OF O, an adaptation of Heinrich von Kleist's classic short story, the film stands as Eric Rohmer's "dazzling testament to the civilizing effects of several different arts, witty, joyous and so beautiful to look at" (The New York Times). Winner of the Special Jury Prize at the Cannes Film Festival that year, Rohmer's film is set in 1799 during the Russian invasion of Italy. A young widow, The Marquise (Edith Clever) lives with her parents; her father is the commander of a citadel embroiled in battle. With the fort overrun by Russians, the Marquise is abducted by a group of rowdy soldiers and nearly taken advantage of when the Russian commander Count F (Bruno Ganz) appears as if from nowhere to rescue her. Later, the Marquise realizes she is pregnant, though she cannot decipher how the circumstance came to be. The Marquise's scandalized parents banish her to their country estate, where she pens a letter to the newspaper announcing that she will marry the father, whomever he may be, should he only present himself. Rohmer masterfully adapts von Kleist's multi-layered story, creating "the aura of a neoclassical dream, a fading vision of the virtue of gentility" (The Chicago Reader).
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Upcoming Releases Our film catalog

Directed by Ingo Haeb
Directed by Dietrich Brüggmann
Directed by Kristina Grozeva and Petar Valchanov
Directed by Jessica Hausner
Directed by Jean-Pierre Améris
Directed by Dennis Bots
Directed by Ivano De Matteo
THE CHAMBERMAID
Directed by Ingo Haeb
YEAR 13 FILM 6
Lynn is the most thorough chambermaid at the hotel where she works, leaving no shelf undusted, no sheet untucked. Fascinated by the lives of the guests she cleans up after and crippled by her own shyness, she rummages through their belongings and even hides under their beds, vicariously experiencing their conversations, meals and discreet interludes. When she finds herself present during a guest's S&M session with the call girl Chiara, Lynn can't help but let her curiosity get the better of her, clandestinely noting Chiara's phone number when the coast is clear. Bold and unrestrained, Chiara soon draws Lynn out of her shell, opening her up to a new intimacy Lynn had previously only experienced as an intrepid voyeur.
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STATIONS OF THE CROSS
Directed by Dietrich Brüggmann
YEAR 13 FILM 7
Told in fourteen fixed-angle, single shot, individual tableaus that parallel Christ's journey to his own crucifixion, STATIONS OF THE CROSS is both an indictment of fundamentalist faith and the articulation of an impressionable teen's struggle to find her own path in life. Though from the outside Maria lives in the modern world, her family and her heart are faithful to a Catholic radicalism that requires sacrifice and devotion at every turn. As she struggles to balance her own desires with the dictates of her family's faith, she makes ever more perilous sacrifices, attempting to please a God she worships unquestioningly in the pious hopes of curing the autistic younger brother she adores.
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THE LESSON
Directed by Kristina Grozeva and Petar Valchanov
YEAR 13 FILM 8
In a small Bulgarian town, Nade is an honest, hard-working elementary school teacher struggling to keep her life together. Her unemployed, alcoholic husband has secretly spent their mortgage payements on booze, and now the bank is threatening to auction off the house where they live with their young daughter. The agency where she translates legal documents to English for extra cash is going under and unable to pay her what she's due, and a thief in her class has stolen the last few dollars out of her purse. With few options left, she solicits help from a local loan shark who is happy to give her what she needs at a steep price. With the reposession looming, Nade will resort to measures her former self, untouched by the realities of economic desperation and moral compromise, would have found depraved, as she makes one last extreme effort to secure the money she needs.
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AMOUR FOU
Directed by Jessica Hausner
YEAR 13 FILM 9
Forever under-appreciated and melancholy, Heinrich is a young poet in Romantic Era Berlin who determines his best way out of despair is to end it all, and he sets about finding a woman to join him in his predetermined departure. Recently diagnosed with a terminal illness, the well-off but unremarkable Henrietta, fascinated by Heinrich's controversial "The Marquise of O," finds his offer intriguing, if a bit strange. And yet, she agrees to navigate the uncharted journey towards a suicide pact with him, at once awkward and enlightening for them both. Rather than a declaration of passionate devotion, Amour Fou - inspired by the actual suicide in 1811 of Heinrich von Kleist and Henrietta Vogel - goes against expectations to become a wry and curious denunciation of dying for love.
MORE INFO »
MARIE'S STORY
Directed by Jean-Pierre Améris
YEAR 13 FILM 10
At the turn of the 19th century, a humble artisan and his wife have a daughter, Marie, who is born deaf and blind and unable to communicate with the world around her. Desperate to find a connection to their daughter and avoid sending her to an asylum, the Heurtins send fourteen-year-old Marie to the Larnay Institute in central France, where an order of Catholic nuns manage a school for deaf girls. There, the idealistic Sister Marguerite sees in Marie a unique potential, and despite her Mother Superior's skepticism, vows to bring the wild young thing out of the darkness into which she was born. Based on true events, Marie's Story recounts the courageous journey of a young nun and the lives she would change forever, confronting failures and discouragement with joyous faith and love.
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SECRETS OF WAR
Directed by Dennis Bots
YEAR 13 FILM 11
Tuur and Lambert are best friends in a Nazi-occupied Dutch village who pass their days playing soldiers and exploring local caves, mimicking a war that seems far removed from their everyday life. When Maartje joins their class, the young girl immediately stands out as different from her classmates. Yet the boys embrace their new friend, forming a unique bond based on shared adventures, secrets and mischief. Ultimately, the realities of war find even them - Lambert's father, a Nazi sympathizer, is named mayor of their town and Tuur discovers his own father and brother have joined the resistance, instantly putting the two boys at odds. Meanwhile, Maartje is hiding a secret of her own, one that not only threatens to tear the new friends apart, but could lead to devastating consequences for anyone involved in keeping it. Secrets Of War puts both the danger and the humanity of wartime friendships squarely on the shoulders of three children who must face extraordinary circumstances with a maturity far beyond their years.
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THE DINNER
Directed by Ivano De Matteo
YEAR 13 FILM 12
Based on the New York Times bestselling novel, THE DINNER turns an ordinary meal among family into a taut morality play as the limits of polite society are tested and two brothers discover just how little they know about each other. To Massimo, a gutsy defense attorney, the monthly dinners with his pediatrician brother Paolo and their wives at a posh local restaurant are a status symbol, even if the time is spent in forced familiarity and inconsequential conversation about the latest films, the day's news or their children's schoolwork. When Paolo's wife Clara sees disturbing security camera footage of a homeless woman being mercilessly beaten, she worries it may be her teenage son Michele and his cousin, Massimo's daughter Benni, who are responsible for the gruesome attack. Their fragile balancing act of respectability and class now shattered, the two families navigate the repercussions of this senseless assault, revealing in the process the skewed priorities and moral shortcomings of their privileged, insulated perspectives.
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XXY
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A CALL GIRL
Directed by Damjan Kozole
Having grown up in small-town Slovenia, 23-year-old Alexandra embraces the excitement and anonymity of big city life when she moves to the capital. She styles herself as a call girl, planning to take advantage of everything the city has to offer. But her isolated existence - English studies and mortgage payments by day, call girl lifestyle by night - is shattered when one of her clients, a visiting politician, dies of a heart attack on her watch. Alexandra must suddenly confront fear, guilt, and desperation as she finds herself pursued by a band of local pimps, as well as the cops, hot on her trail. The old village life she had escaped from might now become her only refuge.
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A PECK ON THE CHEEK
Directed by Mani Ratnam
In this Bollywood-esque musical, 9 year-old Amudha discovers she is an orphan from war-torn Sri Lanka. In a moment of bravado she and her adopted family decide to face their greatest fears and travel to her violent and turbulent homeland in order to reunite with her birth-mother. Along the way they encounter shocking, terrifying and dazzling wonders and have the adventures of a lifetime. Music by the Academy Award winning composer of Slumdog Millionaire.
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AALTRA
Directed by Benoît Delépine and Gustave Kervern
Rural neighbors who hate each other come to blows one day on a farm and get tangled up in an agricultural tractor, leaving them both paralyzed, wheelchair-bound, and simmering with spite. But rather than feel sorry for themselves, the embittered paraplegics decide to seek revenge against the tractor's manufacturer. They take to the road, redirecting their frustrations with their plights towards the people they meet on the way to Helsinki. Captured in sharp black-and-white Cinemascope photography that complements its exquisite Tati-like sight gags, Aaltra undermines conventional attitudes toward the disabled with its dry wit and acerbic, vengeful characters. Look for some recognizable cameos, including famous Finnish director Aki Kaurismäki.
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ADAM'S APPLES
Directed by Anders Thomas Jensen
Ivan is an insanely optimistic preacher who takes in convicts to help around the remote, rural church he ministers to. His current charges are a psychotic Saudi immigrant addicted to robbing gas stations and an alcoholic tennis pro convicted of sexual assault. His newest "helper" is Adam, a vicious neo-Nazi anxiously biding his time before he can return to hell-raising. Asked to set a goal for his stay, Adam sarcastically answers that he'd like to bake a cake. Ivan cheerfully takes that statement at face value and puts him in charge of the parish's pride and joy: the only apple tree in the vicinity.  Grasping the extent of Ivan's crazed, preternatural determination to look on the bright side of everything - Adam immediately decides to shake him out of his rose-colored stupor.
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ALAMAR
Directed by Pedro González-Rubio
Jorge has only a few weeks with his five-year-old son Natan before he leaves to live with his mother in Rome. Intent on teaching Natan about their Mayan heritage, Jorge takes him to the pristine Chinchorro reef, and eases him into the rhythms of a fisherman's life. As the bond between father and son grows stronger, Natan learns to live in harmony with life above and below the surface of the sea.
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ALEXANDRA'S PROJECT
Directed by Rolf de Heer
It's Steve's (Gary Sweet) birthday and he's just been promoted at the office. In a good mood, he goes home to his family expecting to celebrate. Instead, he finds an empty suburban home and videotape labeled 'Play Me.' The tape begins with his loving wife (Helen Buday) providing birthday wishes and quickly segues, to his pleasant surprise, into a striptease. But surprise turns into shock when he sees a gun pointed at her head. As the tape plays, his seemingly ordinary life unravels into a nightmare of mind games and revenge. Along with two brilliant lead performances, acclaimed auteur Rolf de Heer brings to us his visionary new twist on the psychological thriller.
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AMADOR
Directed by Fernando Leon de Aranoa
Marcela, a young immigrant with financial troubles, finds a summer job looking after Amador, a bed-ridden elderly man whose family is away. She thinks her problems are solved, but Amador dies shortly thereafter, putting Marcela in a predicament. His death leaves her jobless, something she can't afford to let happen. Faced with a difficult moral dilemma, Marcela will prove that death can't always stop life.
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ANTARES
Directed by Götz Spielmann
Austria's Oscar selection for Best Foreign Film, Antares cunningly interweaves the erotic stories of 3 couples at crossroads in their relationships. Over 3 momentous days in an apartment complex, each couple searches for love, intimacy & passionate romance. Antares features explicit sexual content and mature themes in portraying these modern relationships.
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BE WITH ME
Directed by Eric Khoo
Be With Me is a tapestry of three stories woven around the themes of love, hope, tragedy and redemption. Although the main characters come from different backgrounds and lead different lives, they are bound by one common desire â?" to be with the one they love. Unbeknownst to them, these different souls will share the same stage in a play written by Fate.
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BEFORE YOUR EYES
Directed by Miraz Bezar
Ten year old Gulistan and her brother Firat live in the heart of Turkish Kurdistan. Tragedy strikes when their parents are shot down by paramilitary gunmen before their very eyes. Traumatized and orphaned, Gulistan and Firat try to care for their infant sister, but their money soon runs out and they're forced onto the street. It is there that Gulistan meets the part-time escort Dilara. Accompanying her on a hotel call one day, Gulistan is shocked to discover Dilara's client is the murderer of her parents, and quickly devises a plan for revenge.
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BROKEN
Directed by Rufus Norris
The summer holidays have just begun and 11 year-old Skunk's afternoons are full of day dreams and curious wanderings around her neighborhood - with the exception that she must regularly give herself injections to combat her type 1 diabetes. When, one day, Skunk (Eloise Laurence) discovers her bitter and angry older neighbor, Mr. Oswald (Rory Kinnear), savagely beating Rick, a psychologically-troubled boy from the neighborhood whom Mr. Oswald's daughter has callously and fictitiously accused of rape, Skunk's innocence begins to vanish. Trying to find solace with her loving nanny (Zana Marjanovic) and father (Tim Roth), with whom she is very close, Skunk is unwittingly drawn into her neighbors' unfolding melodrama involving violence, sex, and life-shattering illness. Her home, her neighborhood and her school all become treacherous environments where the happy certainties of childhood give way to a fear-filled doubt, and the promise of a complex, broken future. Overwhelmed by her experiences, Skunk herself is drawn into an ethereal chaos from which she may only return through the intense love of those closest to her.
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CANNES FILM FESTIVAL - 3 PACK

ROADS TO KOKTEBEL
After his wife's death and the loss of his job, an aerodynamics engineer sets off from Moscow with his 11 year old son for his sister's house in Koktebel by the Black Sea. With no money or means of transport, they drift through the expansive and mesmeric landscapes of Russia at the mercy of chance. The father is content to meander as he tries to rebuild his self-respect, piece together his broken life and win back the trust of his son. Meanwhile, the boy impatiently dreams of reaching the mythic coastal resort to start a new life of emancipation and gliders flying in the wind. When the father meets and falls for a beautiful young doctor, the boy sees her as an intrusion on the only loving relationship in his life sets off to complete the journey by himself.
- Winner Fipresci Special Prize Cannes Film Festival
- Winner Philip Morris Award Karlovy Vary Int'l Film Festival

RAJA
Raja is a nineteen year old orphan literally and figuratively scarred by life. Fred is an emotionally bankrupt westerner living amid his plush gardens and palm trees. Set against the backdrop of contemporary Marrakech, Raja is a cross-cultural drama about a wealthy middle-aged Frenchman's complex relationship with this poor local girl. Fred's attempts to seduce Raja, and their mutual attempts at manipulation, are fractured by their gross disparity of income, age and cultural sophistication. 
- Winner France Culture Award Cannes Film Festival
- Winner Marcello Mastroianni Award Venice Int'l Film Festival

WHO'S CAMUS ANYWAY?
The story is set on the campus of a university in Tokyo. Students from the literature department's "film workshop" are about to start shooting their movie The Bored Murderer, part of their course curriculum. Everyone is in a rush to prepare for the shoot, but the lead actor drops out suddenly, and the team is forced to search for a replacement at the last minute. Matsukawa, the director, and Hisada, the first assistant, and other members of the team have their own personal problems with life and love, and the story unfolds "just like in the movies". Matsukawa's shallow attitude to his girlfriend, Yukari, and the behavior of the mysterious Ikeda, who is to play the lead role of the schoolboy murderer, add to the confusion of the whole situation. As for the one-time director, now lecturer, professor Nakajo, he is also harboring desires for the female student Rei, whilst hiding behind his calm, supportive exterior. Rei, in turn, has a completely different agenda. Everything comes to a head in an unexpected and tumultuous climax.
- Official Selection Opening Film at Director's Fortnight Cannes Film Festival
- Winner Japanese Eyes (Best Film) Tokyo Int'l Film Festival

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COME UNDONE
Directed by Silvio Soldini
Anna has everything she thought she could ever need: a respectable career, a caring family, and a loving partner, Alessio. But when she meets Domenico, a handsome, married waiter, her neatly ordered world begins to fall apart. They quickly fall into a heated affair, based on secret meetings, stolen caresses, cell phone fights, and endless lies. Anna's increasingly distant behavior goes unnoticed by Alessio, while Domenico's wife becomes steadily more suspicious of her husband. As the two lovers begin to fall deeper under the spell of passion, they are faced with a life-changing choice which neither is entirely prepared to make.
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FOR A WOMAN
Directed by Diane Kurys
Anne has a very active imagination, only natural for a writer. But in her mid-thirties, she still knows practically nothing of her own family's past. After her mother's death, Anne discovers old photos and letters that convince her to take a closer look at the life of her parents, Michael and Léna. The young couple met in the concentration camps during World War II, later moving to France to start their new life together. Soon, Anne's research into their Jewish history and their ties to Lyon's communist party reveals the existence of a mysterious uncle, Jean, whom everyone seems intent on forgetting entirely. As she gradually closes in on the discovery she didn't know she was looking for, her father grows ever more ill, and may take the secret that kept them apart for so long to his grave. In a journey that stretches from post-war France to the 1980s, Anne's destiny intertwines with her father's past until they form a single, unforgettable story.
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FOR MY FATHER
Directed by Dror Zahavi
Tarek, a Palestinian forced on a suicide mission in Tel Aviv to redeem his father's honor, is given a second chance when the fuse on his explosive vest fails to detonate.  Forced to spend the weekend in Tel Aviv awaiting its repair, Tarek must live amongst the people he was planning to kill. To his surprise he connects with several Israelis on the outskirts of society, including the beautiful Keren, who has cut off contact with her Orthodox family.  With nothing to lose, Tarek and Keren open up to one another and an unlikely love blooms between the two. Spending this time with Keren and his new friends, Tarek discovers the spark of life returning to fill his soul, but when the weekend ends, he must make the decision of his life.
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FREE MEN
Directed by Ismaël Ferroukhi
In German-occupied Paris, a young unemployed Algerian named Younes (played by break-out star, Tahar Rahim) earns his living as a black marketeer. Arrested by the French police but given a chance to avoid jail, Younes agrees to spy on the Paris Mosque. The police suspect the Mosque authorities, including its rector Ben Ghabrit, of aiding Muslim Resistance agents and helping North African Jews by giving them false certificates. At the Mosque, Younes meets the Algerian singer Salim Halali, and is moved by Salim's beautiful voice and strong personality. When Younes discovers that Salim is Jewish, he stops collaborating with the police and gradually transforms from a politically ignorant immigrant into a fully-fledged freedom fighter.
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GARIBALDI'S LOVERS
Directed by Silvio Soldini
GARIBALDI'S LOVERS presents a fizzy ride through a magical vision of metropolitan Italy, while at the same time casting a critical eye on modern life in the city. Widowed plumber Leo is struggling to deal with the growing pains of his two adolescent children, when his life intersects with penniless artist Diana and her eccentric landlord Amanzio. Through a hilarious series of coincidences, they give each other new hope for their futures - and for the city itself, so emblematic of our times.
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GIGANTE
Directed by Adrián Biniez
Jara is a shy and lonely 35-year-old security guard at a supermarket on the outskirts of Montevideo. He works the night shift, monitoring the surveillance cameras of the entire building. One night Jara discovers Julia, a 25-year-old cleaning woman, through one of the cameras and is immediately attracted to her. Night after night, he watches her on the cameras while she works. Soon he starts following her after work: to the cinema, the beach and even to a date with another man. Jara's life becomes a series of routines and rituals around Julia, but eventually he finds himself at a crossroad and must decide whether to give up his obsession or confront it.
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HELLO LONESOME
Directed by Adam Reid
With an enchanting mixture of laughter and longing, the worlds of six flawed but captivating individuals weave together as they explore that age-old human desire: to love and be loved. The ensemble cast - featuring Lynn Cohen (Sex and the City) and Sabrina Llyod (Aaron Sorkin's Sports Night) - turn in powerful performances sparkling with wit and humanity.
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HOW I ENDED THIS SUMMER
Directed by Alexei Popogrebsky
On a desolate island in the Arctic Circle, two men work at a small meteorological station, taking readings from their radioactive surroundings. Sergei, a gruff professional in his fifties, takes his job very seriously. His new partner, bright eyed college grad Pavel, retreats to his MP3 player and video games to avoid Sergei's imposing presence. One day while Sergei is out, inexperienced Pavel receives terrible news for Sergei from HQ. Intimidated, Pavel can't bring himself to disclose the information. When the truth is finally revealed, the consequences explode against a chilling backdrop of thick fog, sharp rocks, and the merciless Arctic Sea.
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HUMAN CAPITAL
Directed by Paolo Virzì
HUMAN CAPITAL begins at the end, as a cyclist is run off the road by a careening SUV the night before Christmas Eve. As details emerge of the events leading up to the accident, the lives of the well-to-do Bernaschi family, privileged and detached, will intertwine with the Ossolas, struggling to keep their comfortable middle-class life, in ways neither could have expected. Dino Ossola (Fabrizio Bentivoglio), in dire financial straits, anticipates the birth of twins with his second wife (Valeria Golino). Meanwhile, Dino's teenage daughter's relationship with hedge-fund manager Giovanni Bernaschi's playboy son complicates an already tricky social dance of status, money and ambition. Paolo Virzi's taut character study deconstructs the typical linear narrative, observing transformative events from each character's perspective. The result is a nuanced account of desire, greed and the value of human life in an age of rampant capitalism and financial manipulation.
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ILLEGAL
Directed by Olivier Masset-Depasse
Tania is a former teacher from Russia, living illegally in Belgium with her son, Ivan. One day she is stopped for a routine check by the police and is arrested. Separated from Ivan, who manages to escape, she is placed in an immigration detention center for women and children. While utterly refusing to face expulsion, Tania thus begins a fight to preserve her dignity, identity and humanity, as well as find her son.
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ILO ILO
Directed by Anthony Chen
Set in Singapore during the 1997 Asian financial crisis. Ilo Ilo chronicles the day-to-day drama of the Lim family - troublesome grade-schooler Jiale and his overstressed parents, Heck and Leng. Comfortably middleclass and with another baby on the way, they hire Teresa, a Filipino immigrant, as a live-in maid and nanny. An outsider in both the family and Singapore itself, Teresa initially struggles to manage Jiale's antics and find her footing in her new community. The two eventually form a unique bond, but just as Teresa becomes an unspoken part of the family, unforeseen circumstances in an uncertain economy will challenge the new normal yet again.
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KAREN CRIES ON THE BUS
Directed by Gabriel Rojas Vera
Karen has left her slimy but successful husband Mario after ten years of marriage. She needs a fresh start to find out who she is and who she could be, despite her husband's proclamation that she can do absolutely nothing. She walks out into Bogotá with no job, no friends, and hardly any money, but catches a break when she meets a hairdresser named Patricia at a cheap flophouse. With her younger and seemingly stronger friend by her side, Karen takes her first steps towards independence and self-discovery.
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KING OF DEVIL'S ISLAND
Directed by Marius Holst
This true story of the infamous Bastøy Boys Home correctional facility in Norway, begins with the arrival of seventeen-year-old Erling, a rumored murderer. He immediately clashes with the island facility's governor (Stellan Skarsgård), who believes manual labor, rigid discipline, and harsh punishment are the only methods that can turn the boys into honorable members of society. Refusing to accept the constant abuse, Erling slowly rouses the rest of the boys out of their resigned existence, and encourages them to fight to lift up their spirits. When tragedy finally falls at the hand of the sadistic dorm master, Erling leads his comrades in a courageous and vicious rebellion that will bring them head to head with no less than the Norwegian Army.
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LA SIRGA
Directed by William Vega
Alicia is helpless. War memories invade her mind like threatening thunder. Uprooted by the armed conflict, she tries to reshape her life in La Sirga, a dilapidated hostel on the shores of a great lake in the highlands of the Andes. There, on a swampy and murky beach, she will try to settle down until her fears and the threat of war resurface again.
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LE GRAND VOYAGE
Directed by Ismaël Ferroukhi
A few weeks before his college entrance exams, Réda, a young man who lives in the south of France, finds himself obligated to drive his father to Mecca. The wide cultural and generational gap between the two is worsened by their lack of communication. Réda finds it hard to accommodate his father, who demands respect for himself and his pilgrimage. From France, through Italy, Serbia, Turkey, Syria, Jordan to Saudi Arabia, the two embark on a road trip that will change their lives forever. Named one of the top films of the decade by the London Times.
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LUCKY
Directed by Avie Luthra
How could a recently orphaned, 10-year old homeless South African boy ever be called Lucky? Over the grave of his dead mother, Lucky makes a promise to make something of himself. Leaving the security of his remote Zulu village for the big city with the hope of going to school, he arrives on the doorstep of an uncle who has no use for him. Lucky then falls in with Padma, an elderly Indian woman with an inherent fear of Africans, who takes him in as she would a stray dog. Together, unable to speak each other's language, they develop an unlikely bond. Through an odyssey marked by greed, violence, and, ultimately, belonging, Lucky shows how a child's spirit can bring out decency, humility and even love in adults struggling to survive in the new South Africa.
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MEN AT WORK
Directed by Mani Haghighi
This film tells the hilarious story of four old friends who, driving back from a failed skiing trip, encounter a strange and enormous rock. The men's frivolous attempt to dislodge the rock gradually disintegrates into a tale of betrayal, defeat and renewed hope. The heroes of the film are doctors, engineers and businessmen in the throes of mid-life crises. Their middleclass problems and the absurd phallic rock venture gives rise to great humor.
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SOMERS TOWN
Directed by Shane Meadows
From the director (Shane Meadows) and star (Thomas Turgoose) of THIS IS ENGLAND comes this wry and captivating coming of age tale. Two teenagers, both newcomers to London, forge an unlikely friendship over the course of a hot summer. Tomo (Thomas Turgoose) is a runaway from Nottingham; Marek (Piotr Jagiello), a Polish immigrant, lives in the district of Somers Town, between King's Cross and Euston stations, where his dad is working on a new rail link. Marek lets homeless Tomo move into his room, unbeknownst to his father. The pair forms a hilarious bond, as they work odd jobs for an eccentric neighbor and compete for the attention of Maria, a beautiful young French waitress with whom they are both infatuated. But it's only a matter of time before Marek's dad discovers what's going on...
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STORM
Directed by Hans-Christian Schmid
Hannah Maynard, prosecutor at the International Criminal Tribunal in The Hague, is leading a trial against a former commander of the Yugoslavian National Army who is accused of the deportation and later killing of dozens of Bosnian-Muslim civilians. When a key witness commits suicide, it looks like the case will unravel, however Hannah refuses to give in. Hoping to uncover new findings, she travels to the witness' burial in Sarajevo and meets his sister Mira who she senses has much more to say than she is willing to admit. Despite threats of violence, Mira reluctantly agrees to testify at The Hague. However, she and Hannah must both risk life and limb to make it to the court, only to discover that there are traitors among their own ranks.
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TEDDY BEAR
Directed by Mads Matthiesen
The 38-year-old bodybuilder Dennis would really like to find true love. He has never had a girlfriend and lives alone with his mother in a suburb of Copenhagen. When his uncle marries a girl from Thailand, Dennis decides to try his own luck on a trip to Pattaya, as it seems that love is easier to find in Thailand. He knows that his mother would never accept another woman in his life, so he lies and tells her that he is going to Germany. Dennis has never been out traveling before and the hectic Pattaya is a huge cultural shock for him. The intrusive Thai girls give big bruises to Dennis' naive picture of what love should be like, and he is about to lose hope when he unexpectedly meets the Thai woman Toi.
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THE BOTHERSOME MAN
Directed by Jens Lien
Andreas arrives in a strange city with no memory of how he got there. He is presented with a job, an apartment and a beautiful girlfriend, but before long, Andreas notices that something is wrong. The people around him seem cut off from any real emotion and communicate only in superficialities. He makes an attempt to escape from the city, but he discovers there is no way out, and even several attempts to kill himself prove unsuccessful. Andreas meets a man who has found a crack in a wall in his cellar. Beautiful music streams out from the crack, but from where? Is it the way out?
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THE DEFLOWERING OF EVA VAN END
Directed by Michiel ten Horn
In this perfect blend of satire and sincerity, a dysfunctional family gets turned on its head when the 'perfect' exchange student moves in. Every member of the van End family is preoccupied with his or her own peculiar fixation--be it father Evert's Skype relationship with a boy in Africa (seemingly his only functional relationship), or mother Etty's relentless tirades against her dope-dealing youngest son or praises for her eldest son about to marry. Trapped in the middle is the youngest--15 year-old Eva--struggling for any attention or affection at all. When Veit, the adonis German exchange student Eva invited, moves in, the family is shocked and each family member must confront his or her own doubts, insecurities, fears and desires. During Veit's two week stay, all five family members began to reinvent themselves led by former wallflower, Eva, who begins a dramatic transformation.
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THE GROCER'S SON
Directed by Eric Guirado
It is summer, and 30-year-old Antoine is forced to leave the city to return to his family in Provençe. His father is sick, so he must assume the lifestyle he thought he had shedâ?"driving the family grocery cart from hamlet to hamlet, delivering supplies to the few remaining inhabitants. Accompanied by Claire, a friend from Paris whom he has a secret crush on, Antoine gradually warms up to his experience in the country and his encounters with the villagers, who initially seem stubborn and gruff, but ultimately prove to be funny and endearing. This surprise French box-office hit is about the coming-of-age of a man re-discovering life and love in the countryside.
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THE HUMAN RESOURCES MANAGER
Directed by Eran Riklis
The Human Resources Manager of Jerusalem's largest bakery is in trouble. He is separated from his wife, distanced from his daughter, and stuck in a job he hates. When one of his employees, a foreign worker, is killed in a suicide bombing, the bakery is accused of indifference, and the HR Manager is sent to the victim's hometown in Romania to make amends. Far from home, on a mission to honor a woman he didn't even know but has somehow grown to admire, the HR Manager fights to regain his company's reputation - and possibly his own humanity.
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THE JEWISH CARDINAL
Directed by Ilan Duran Cohen
The Jewish Cardinal tells the amazing true story of Jean-Marie Lustiger, the son of Polish-Jewish immigrants, who maintained his cultural identity as a Jew even after converting to Catholicism at a young age, and later joining the priesthood. Quickly rising within the ranks of the Church, Lustiger was appointed Archbishop of Paris by Pope Jean Paul II - and found a new platform to celebrate his dual identity as a Catholic Jew, earning him both friends and enemies from either group. When Carmelite nuns settle down to build a convent within the cursed walls of Auschwitz, Lustiger finds himself a mediator between the two communities - and may be forced at last to choose his side.
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THE VIOLIN
Directed by Francisco Vargas
Somewhere in Latin America a family of musicians and modest farmers join a fearless guerilla movement attempting to overthrow the brutal and sadistic government. When the military seizes their village, they flee to the sierra hills, forced to leave behind their stock of ammunition. While the guerillas organize a counter-attack, old Plutarco plays up his appearance as a harmless violin player in order to get into the village and recover the ammunition hidden in his corn fields. His violin playing charms the army captain, who orders Plutarco to come back daily. With tension escalating sky-high, guns and music take on a near holy significance with hundreds of lives hanging in the balance.
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UNDER THE BOMBS
Directed by Philipe Aractingi
During a cease-fire in the Lebanon-Israeli conflict of 2006, a Christian taxi driver brings a Shiite woman from Beirut to the heart of the conflict in the country's south. While they scour the rubble of local towns for her son they discover that despite their very different backgrounds they have much in common. During their trip through the desolate countryside, the two travelers develop a deep bond as a response to the death looming all around them. The film was shot entirely on location during the summer of 2006, in the middle of the ruins of war-torn Lebanon. Director Philipe Aractingi only hired two professional actors, the rest are real refugees, journalists, soldiers, etc. playing themselves.
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VIVA CUBA
Directed by Juan Carlos Cremata Malberti
In a tale akin to "Romeo and Juliet," the young love between two children living in Havana is threatened by their parents' bitter conflicts. Malú is from an upper-class family and her single mother does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito's mother, a poor socialist proud of her family's social standing, places similar restrictions on her son. What neither woman recognizes is the immense strength of the bond between Malú and Jorgito. When the children learn that Malú's mother is planning to leave Cuba, they decide to travel to the other side of the island to find Malú's father and persuade him against signing the forms that would allow it.
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VIVA LALDJERIE
Directed by Nadir Mokneche
Three women: a mother, her daughter and a prostitute have been living in a hotel in the heart of Algiers amid creeping fundamentalism. Goucem, the daughter, has chosen a modern, emancipated life, spending steamy weekends in nightclubs. Fifi, her faithful friend, prostitutes herself under the thumb of a local protector. Papicha, the mother, eats pizzas in front of the television, torn between fear and nostalgia for the cabaret days of her youth. Known in Europe as the North African Pedro Almodovar, filmmaker Nadir Mokneche weaves a richly drawn portrait of women exiled in their own country.
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WILL YOU STILL LOVE ME TOMORROW?
Directed by Arvin Chen
In this madcap and lighthearted comedic romp, introverted optometrist Weichung begins to question his marriage with his wife Feng, upon learning of her desire to have another baby. At his sister's engagement party, Weichung bumps into an old friend, Stephen, a wedding photographer who, though also married, is living the high life of a younger, single gay man. When Stephen teases Weichung for his newly straightlaced lifestyle, dormant emotions are awakened in Weichung, setting him off on a quest for true romance and desire.
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XXY
Directed by Lucia Puenzo
For just about everybody, adolescence means having to confront a number of choices and life decisions, but rarely any as monumental as the one facing 15 year-old Alex (Ines Efron,) who was born an intersex child.  As Alex begins to explore her sexuality, her mother invites friends from Buenos Aires to come for a visit at their house on the gorgeous Uruguayan shore, along with their 16-year-old son Álvaro (Martin Piroyanski.) Alex is immediately attracted to the young man, which adds yet another level of complexity to her personal search for identity, and forces both families to face their worst fears.
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MARIE'S STORY (currently playing in #WashingtonDC) opens this Friday in #LA at the Laemmle Royal. For more info: http://www.laemmle.com/films/39084


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The critics love MARIE'S STORY and so will you... NOW PLAYING #WashingtonDC at the Angelika Pop-Up At Union Market - for tickets & showtimes: https://www.angelikafilmcenter.com/dc/film/maries-story


In 'Marie's Story,' A Tale Of Teaching And Faith
www.npr.org
A new French film about a girl born blind and deaf speaks not only to the questions of how she learns, but of her encounters with faith and loss.
Chicago Tribune calls THE LESSON "stealthily enthralling" and predicts further accolades for the film - NOW PLAYING at Facets!


'The Lesson' review: A teacher's dire despair
www.chicagotribune.com
Loosely based on a real-life incident employed effectively by the filmmakers as a last-act plot twist, Kristina Grozeva and Petar Valchanov's "The Lesson" is a spare, stripped-to-essentials drama about economic stress and mounting desperation that should resonate with a wide range of international a…

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