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TERMS & CONDITIONS
CURRENT NON-THEATRICAL RELEASES
THE SEVENTH FIRE
"Phenomenal... A new side of gang culture."
- Susannah Edelbaum, The Credits
"Powerful and haunting."
- Clive Botting, The Huffington Post
"Epic...An important and timely film."
- Sarah Rutterford, The Upcoming
TAKE ME TO THE RIVER
"Superlatively acted culture-clash indie chillingly evokes primal dread and sexual transgression..."
- Ronnie Scheib, Variety
"Played out like a genuinely strange waking dream...we rarely see such taxing audacity from first time filmmakers."
- The Playlist
"Writer-director Matt Sobel's quietly engaging debut is one of the great discoveries of the 2015 Sundance Film Festival: his fish-out-of-water observations have a personal edge..."
- Ibad Shah, Indiewire
THE AUTOMATIC HATE
"Nothing short of brilliant."
- Alexander Lowe, We Got This Covered
" [One of] the 10 best films I saw at SXSW 2015... [with] the most explosively uncomfortable dinner party scene ever."
- Ryan Lattanzio, Indiewire
"An unconventional love story that also crosses boundaries into a family drama, psychological thriller, mystery and morality play... [it] is fascinating, and creates a film that is both challenging and entertaining."
- Ain't It Cool News
"A wealth of intimate home-movie footage and an affinity for his subject invigorate randall wrights unashamedly affectionate portrait of a british icon."
- Mark Kermode, The Guardian
"An intimate and insightful delve into the life of a charismatic man whose passion for art is still intense and whose wry sense of humor still shines through..."
- Mark Adams, Screen Daily
THE OTHER SIDE
"...Minervini deserves credit for going where few high-minded filmmakers have gone before, revealing a side of Americana rarely seen onscreen."
- Jordan Mintzer, The Hollywood Reporter
"...a soul-draining, feature-length look at the bastard stepchildren of the American Dream."
- Peter Debruge, Variety
"...an unflinching look at the unwholesome underbelly that, to the rest of the country's chagrin, defines the Deep South."
- Amanda Waltz, The Film Stage
"A sparking, gossipy soap opera that's riddled with emotion and stuffed with strong characters."
- Jeannette Catsoulis, New York Times (Critics' Pick!)
"An impressive contribution to Jewish cinema."
- Robert Koehler, Variety
"A unique work of historiography, equivocally concerned with the wages of the past and the vicissitudes of the present."
- Jay Kuehner, Cinemascope
"Never in a million years would someone be able to watch this film for the first time and guess that it's a debut feature. So assured is the direction, so purposeful is the camera."
- Nikola Grazdanovic, The Playlist
"...crisp, starkly beautiful compositions, contrasting claustrophobic human activity with the ocean's vastness."
- Maggie Lee, Variety
"While the film is expertly made, all its visual thrills are present to serve the characters and their complexly interwoven moral trajectories... "
- Pierce Conran, Twitch Film
THE GREATEST EARS IN TOWN: THE ARIF MARDIN STORY
"Fantastic portrait of a band and its leader that works on so many different levels. What I love about the film is that what starts out with a look at a band changes into a look at what it takes to be in a band and how the relationships outside of the band are forced to change because of the dynamics of the band."
- Steve Kopian, Unseen Films
"10 Must-See Documentaries at DOC NYC."
"The members of Peelander-Z unmask themselves for revealing new doc MAD TIGER... For close to two decades fans have known the band with their personas held firmly in place, their colorful costumes seldom removed, but the opportunity to meet Peelander-Z has finally arrived, and the line between artist and person is blurring."
- Silvas Valentino, Village Voice
"...thrilling and packed with illuminating details and striking personalities..."
- The New York Times
"The competition itself provides considerable suspense as well as dazzling performances..."
EAST JERUSALEM WEST JERUSALEM
"While collaborations like this aren't unprecedented, the timing and scope of this project has far-reaching effects. The album is good; the making-of documentary is extraordinary."
- Jordan Hoffman, Vanity Fair
"At a time when Israel and Palestine seem as hopelessly divided as ever, the documentary shows how artistry can wrestle with heavy societal themes to inspire personal, soul-stirring music."
- Zach Sharf, IndieWire
"...Israeli filmmakers Erez Miller and Henrique Cymerman manage to inject a sense of optimism into a conflict that often seems desperate and without solution."
- Andrea R. Vaucher, The Wrap