A White, White Day

Directed by Hlynur Palmason
Film Movement
109 Minutes
Iceland, Denmark, Sweden
Drama, Thriller
Not Rated

In a remote Icelandic town, an off-duty police chief (a chilling Ingvar Sigurdsson, who received Cannes’ Critics’ Week award for Best Actor for his performance) begins to suspect a local man of having had an affair with his late wife, who died in a tragic accident two years earlier. Gradually his obsession for finding out the truth takes over his life and inevitably begins to endanger himself and his loved ones. Combining classic thriller tropes with a distinctly Nordic arthouse sensibility, the second feature from Hlynur Palmason "engages in storytelling that’s both powerful and fresh throughout, marking him as a talent to watch” (The Hollywood Reporter).




  • "The Icelandic director Hlynur Palmason, in his second feature-length film, shows an acute sensitivity to the potential relations between environment and cinematic pace. He exercises that quality in ingenious and galvanic ways in “A White, White Day,” an eerily gripping study of grief — and impotence in its face — with the trappings of a revenge thriller. Critic's Pick!"
    Glenn Kenny, The New York Times
  • "Far from callous and cold, despite the temperatures suggested by that omnipresent fog, thick-maned Icelandic horses, and all the heavy sweaters, the film is warm when it counts. This is a compassionate drama about grief and the sideways behaviour that will out if you keep stifling the main thing..."
    The Film Experience
  • "As darkly comic as it is foreboding–and boasting an outrageously rich and nuanced central performance from the great Icelandic actor Ingvar Sigurdsson, who plays the larger than life Ingimunder, a man more than capable of living up to the scale of his own name–A White, White Day takes the tropes of a psychological thriller but presents them with a virtuosic and austere visual flare. The film’s second shot alone–after that doomed misty drive–is a marvel, a time-lapse image of an isolated farmhouse as it weathers the changing of the seasons. "
    Rory O'Connor, The Film Stage
  • "The imposing, powerfully built Sigurdsson commandingly holds center screen throughout. Palmason engages in storytelling that’s both powerful and freshly thoughtout, marking him as a talent to watch."
    Todd McCarthy, The Hollywood Reporter
  • "[A] tale of spellbinding and perturbing beauty. "
    Leonardo Goi, MUBI
  • "A White, White Day is at its best when it delves fearlessly into the cold heart of lonely masculinity."
    Dana Reinoos, Cinema Scope
  • "A White, White Day, Hlynur Palmason’s bold follow-up to his striking debut Winter Brothers, demonstrates a keen awareness of genre film tropes, taking an ordinary tale of vengeance and choking any sense of pulp or melodrama out of its veins, leaving only the psychological journey of one man trying to make sense of a world that offers no answers."
    Alex Lines, Film Inquiry
  • "It is rare that something so honest, devoid of unnecessary hyperbole, overworked drama and quick plot progression graces the silver screen. The convincing performances, breathtaking scenery captured in an understated eeriness by cinematographer Maria von Hausswolff, and the sheer humanness of A White, White Day told through Palmason’s eyes transport you to an isolated little Icelandic town where perhaps, just perhaps, the veil opens in the fog."
    Sarah Burley, The Upside News
  • "A taciturn former policeman in a small Icelandic enclave grows more complex before our eyes in the visually arresting and emotionally rewarding A White, White Day. A flesh and blood catalogue of ways to be masculine, from tender with his granddaughter to robustly no-nonsense with a weapon, Ingimundur is a fascinating character, splendidly portrayed."
    Lisa Nesselson, Screen Daily
  • "Ingvar Eggert Sigurðsson gives a studied portrayal of ex-cop Ingimundur, whose wife is cruelly taken from him, and begins to see pieces of a crime formulating as he suspects a local of having had an affair with her. It’s a raw, powerful performance that holds the film together, exploring the bruised masculinity of a man who has seen broken families but doesn’t know how to act when his own life no longer fits into a conventional order. [A] tense and rewarding exploration of grief which proves Palmason to be an expert storyteller. "
    BP Flanagan, The Upcoming
  • "For a movie that is able to be simple and mysterious at the same time, A White, White Day is a good character study of a man with a cold soul longing for answers."
    Owel Peraz, High On Films
  • "I’m convinced that A White, White Day is the work of one of the most important voices of this emerging generation."
    Peter Debruge, Variety
  • "The Oscars should have made room for the intense and elemental A White, White Day."
    Mike D'Angelo, AV Club
  • "An offbeat, artful exploration of Icelandic angst ... it's gorgeously shot, and the actors bring a bracing complexity to their roles."
    Rich Cline, Shadows on the Wall
  • "Hlynur Palmason of the award-winning “Winter Brothers” (2017) continues to examine the psychology of families and has another winner with this offbeat, emotionally and visually gripping entry. “A White, White Day” is a mad ride into our inner Icelandic wilderness."
    James Verniere, Boston Herald
  • "Palmason's A WHITE WHITE DAY ... is brilliant storytelling of the highest order."
    Steve Kopian, Unseen Films
  • "It is a brutally brilliant slow burn which soon becomes a magnificent raging fire illuminating the deepest recesses of one man’s struggles with loss."
    Chase Hutchinson, The News Tribune
  • "“A White, White Day” builds tension through character, culminating in scenes that feel as unpredictable as that opening drive."
    Brian Tallerico, RogerEbert.com
  • "A White, White Day is a masterful examination of how a person can slowly unravel, how the pressures of daily life, extraordinary events, grief, and pain can multiply and result in astonishing and terrible acts, even in the face of those we love. A slow-burn thriller that will leave you shocked and surprised as it creeps under your skin."
    Shelagh Rowan-Legg, Screen Anarchy
  • "Sigurdsson himself makes for a riveting physical presence — part grieving, unhinged widow, part unmovable mountain — but the world he inhabits feels unearthly, raw, strange and freshly ripped out of a dark place of pain and jealousy."
    Michael O'Sullivan, Washington Post
  • "Fantastic film. Director Hlyner Palmason and DP Maria von Hausswolff are bright, shining stars in contemporary world cinema. Check it out."
    Sean Baker
  • "...a gripping, ruminative drama of grief and revenge."
    Justin Chang, The Los Angeles Times
  • "Bracing and assured...."
    David Bax, Battleship Pretension
  • "While there are sometruly shocking scenes in the film, there is also a subliminal tension running through it from start to finish that binds itself to your psyche like a time bomb waiting to explode"
    John Black, Cinekong.com
  • "...one of the most gorgeous movies of the year. "
    Sean Boelman, Disappointment Media
  • "Palmason directs noted actor Ingvar Sigurdsson in one what may be the most ferocious performance of his career as a man chasing ghosts upon realizing a heretofore ignorance about his life and relationships"
    Nicholas Bell, Ion Cinema
  • "A White, White Day delivers dark insights into the nature of grief free of sentimentality and sugar."
    Paul Weissman, Film Forward
  • "Gorgeously shot and profound, it’s a hauntingly unique experience...."
    Roger Costa, Brazilian Press
  • "Riveting and quietly funny from scene to scene. It has this quiet sense of control.... It's such a talent behind the lens that you become drawn into this film."
    Amy Nicholson, KPCC's Film Week
  • "...a knockout of precise tension...."
    Carlos Aguilar, The Playlist
  • "The film is masterful in its depiction of human behavior. "
    Michael Abatemarco, Santa Fe New Mexican
  • "Anchored by Sigurdsson’s striking performance, A White, White Day explores the aftermath of a life and a marriage with an intensely introspective eye."
    Lee Jutton, Film Inquiry

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