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CURRENT NON-THEATRICAL RELEASES
"Wickedly visceral! Tough, gripping, emotionally rewarding through trenchant plotting!"
- Aaron Hillis, Village Voice
"The film ultimately understands poverty as a profound and often irreversible desolation of terra firma."
- Slant Magazine
"Quietly compelling human drama... (with) a commanding central performance from Margita Gosheva... You become completely captivated by her refusal to surrender to her fate."
- Allan Hunter, Screen Daily
"Rarely has fetishism been portrayed with such intense, empathetic attention to detail."
"Brilliant. An intimate character piece that's all about the details."
- The Hollywood Reporter
"A double tour de force of scholarly excavation and artistic dynamism."
- Joshua Kosman, San Francisco Chronicle
"Powerful and fascinating...overwhelmingly captivating..."
- Michael Miller, Berkshire Review for the Arts
"A vivid demonstration of what has been lost in the process of becoming modern...Bagby, using a brilliant array of dramatic and rhetorical techniques, made it a dazzling experience. His performances should be recorded and made required listening. "
- The Washington Post
"A chic thriller! A top-flight cast gives the character-driven drama depth and conviction."
- Deborah Young, The Hollywood Reporter
"Perfectly cast! This slick, stylish fusion of class critique and murder mystery confirms Paolo Virzi as one of Italy's more dynamic directors."
- Jay Weissberg, Variety
"It's a strange film - constantly hovering on the knife edge between comedy and tragedy - but a riveting one."
- Bilge Ebiri, Vulture.com
"Etienne as the heroine is a harmonising centre, believable, luminous, quiet-spoken, poignant."
- Financial Times
"[An] atmospheric adaptation...driven onwards by a powerful central female performance."
- Eye for Film
"Strong performances are abetted by superb technical contributions, including...a series of gorgeous period costumes."
- The Hollywood Reporter
- Anath White, RogerEbert.com
IF YOU DON'T, I WILL
THE DARK VALLEY
"Visually ravishing! The hills are alive with the sound of gunfire in this alpine revenge drama, a superiour genre piece."
- Stephen Dalton, The Hollywood Reporter
"A unique visual experience out of the novel, in a film that, stylistically, is not too far removed from classic westerns of old, with a typically placed revenge plot situated within this cinematic landscape."
- Stefan Pape, Hey U Guys!
"A brooding atmosphere of suspicion and menace...[with] a tone of grim foreboding!"
- Jessica Kiang, Indiewire
Winner - Grand Prix - Cannes Film Festival (Critics' Week)
Winner - France 4 Visionary Award - Cannes Film Festival
"The renaissance of Italian Cinema!"
"[A film that] defies our expectations!"
- Screen Daily
"A fascinating Italian film noir, immaculately made!"
1,000 TIMES GOOD NIGHT
"An affecting drama. Deeply compelling....[Binoche's] transformation is as unsettling as the violence she's chronicling."
- John DeFore, The Hollywood Reporter
"[A] gripping, emotionally resonant drama...starring French luminary Juliette Binoche."
- Ronnie Scheib, Variety
"Elegant and aesthetically pleasing! Binoche is particularly terrific."
- Jessica Kiang, The Playlist
TO KILL A MAN
"Impressive! [A] slow-burning revenge thriller...artfully plotted."
- Guy Lodge, Variety
"Subtly intense...a quietly powerful character study!"
- Carlos Aguilar, Indiewire
"To Kill A Man is a deeply serious film, one both socially engaged and morally sophisticated."
- Calum Marsh, Film.com