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TERMS & CONDITIONS
CURRENT NON-THEATRICAL RELEASES
IMBER'S LEFT HAND
"This beautiful film...takes the wind out of you."
- The Boston Globe
"A masterpiece...the eulogizing of the creative force and artistic life of one of America's leading painters- in his own vibrant voice."
- Daniel Kany, Maine Sunday Telegram
"It's heartbreaking watching Imber's condition deteriorate but he finds so much joy in his creations, particularly a series of more than 100 portraits of friends and family. To the credit of director Richard Kane, the movie remains clear-eyed about both Imber and his courageous wife, painter Jill Hoy, even as it celebrates Imber's determination to remain vital until his final days."
- Amy Longsdorf, Courier-Post
"...this film is beautiful in its dappled-sunshine light, and powerful in the story of transformation that it tells. And Rivoire, a deaf French student who had never acted before, makes Marie both fierce and achingly vulnerable. Toward the end, we see her outside as snow gently falls; she reaches out, touching the flakes, rejoicing in something she somehow knows is joy."
- Moira Macdonald, Seattle Times
"Marie's Story is lovely and sweet, sad and uplifting.... it satisfies them nicely with vivid performances, beautiful imagery, and compassionate direction."
- Sean Axmaker, Seattle Weekly
"An assured, emotionally satisfying French offering. Carré...plays her determined character with moving obstinacy and grace."
- Peter Debruge, Variety
MY LOVE, DON'T CROSS THAT RIVER
"...gentle, elegant and genuinely moving...MY LOVE, DON'T CROSS THAT RIVER is a wonderful documentary that tells a story of [undying] love."
- Hugo Ozman, Twitch Film Sydney
"Go and see MY LOVE, DON'T CROSS THAT RIVER: if, by its ending, it hasn't moved you to your core, you have an invulnerable heart."
- Andrew Blackie, Film Ink Australia
SCHNEIDER VS. BAX
"Putting the "dead" back in deadpan, the ninth feature of van Warmerdam is his most Coen brothers-like film yet, a western in the Dutch wetlands that's as unpredictable as it is darkly funny."
- Body van Hoeij, The Hollywood Reporter
"...the more absurd the circumstances, the more entertaining the movie gets."
- Peter Debruge, Variety
"Van Warmerdam unfolds his rapidly escalating comedy of errors here with remarkable precision and craft."
- Todd Brown, Twitch Film
THE SEVENTH FIRE
"Phenomenal... A new side of gang culture."
- Susannah Edelbaum, The Credits
"Powerful and haunting."
- Clive Botting, The Huffington Post
"Epic...An important and timely film."
- Sarah Rutterford, The Upcoming
TAKE ME TO THE RIVER
"Superlatively acted culture-clash indie chillingly evokes primal dread and sexual transgression..."
- Ronnie Scheib, Variety
"Played out like a genuinely strange waking dream...we rarely see such taxing audacity from first time filmmakers."
- The Playlist
"Writer-director Matt Sobel's quietly engaging debut is one of the great discoveries of the 2015 Sundance Film Festival: his fish-out-of-water observations have a personal edge..."
- Ibad Shah, Indiewire
THE AUTOMATIC HATE
"Nothing short of brilliant."
- Alexander Lowe, We Got This Covered
" [One of] the 10 best films I saw at SXSW 2015... [with] the most explosively uncomfortable dinner party scene ever."
- Ryan Lattanzio, Indiewire
"An unconventional love story that also crosses boundaries into a family drama, psychological thriller, mystery and morality play... [it] is fascinating, and creates a film that is both challenging and entertaining."
- Ain't It Cool News
"A wealth of intimate home-movie footage and an affinity for his subject invigorate randall wrights unashamedly affectionate portrait of a british icon."
- Mark Kermode, The Guardian
"An intimate and insightful delve into the life of a charismatic man whose passion for art is still intense and whose wry sense of humor still shines through..."
- Mark Adams, Screen Daily
THE OTHER SIDE
"...Minervini deserves credit for going where few high-minded filmmakers have gone before, revealing a side of Americana rarely seen onscreen."
- Jordan Mintzer, The Hollywood Reporter
"...a soul-draining, feature-length look at the bastard stepchildren of the American Dream."
- Peter Debruge, Variety
"...an unflinching look at the unwholesome underbelly that, to the rest of the country's chagrin, defines the Deep South."
- Amanda Waltz, The Film Stage
"A sparking, gossipy soap opera that's riddled with emotion and stuffed with strong characters."
- Jeannette Catsoulis, New York Times (Critics' Pick!)
"An impressive contribution to Jewish cinema."
- Robert Koehler, Variety
"A unique work of historiography, equivocally concerned with the wages of the past and the vicissitudes of the present."
- Jay Kuehner, Cinemascope
"Never in a million years would someone be able to watch this film for the first time and guess that it's a debut feature. So assured is the direction, so purposeful is the camera."
- Nikola Grazdanovic, The Playlist
"...crisp, starkly beautiful compositions, contrasting claustrophobic human activity with the ocean's vastness."
- Maggie Lee, Variety
"While the film is expertly made, all its visual thrills are present to serve the characters and their complexly interwoven moral trajectories... "
- Pierce Conran, Twitch Film