FIND FILM BY
TERMS & CONDITIONS
CURRENT NON-THEATRICAL RELEASES
TO KILL A MAN
Submitted by Country - Best Foreign Film - Academy Awards®
Winner - Grand Jury Award - Sundance Film Festival
"Impressive! [A] slow-burning revenge thriller...artfully plotted."
- Guy Lodge, Variety
"Subtly intense...a quietly powerful character study!"
- Carlos Aguilar, Indiewire
"To Kill A Man is a deeply serious film, one both socially engaged and morally sophisticated."
- Calum Marsh, Film.com
STATIONS OF THE CROSS
"A must see for all those interested in how austere and spiritual techniques can be employed in cinema."
- Paul Schrader
"An austere, beautifully filmed and powerfully acted portrait of extreme religious fervor that slyly flirts with comedy."
- Stephen Holden, The New York Times
"Stations of the Cross belongs among the decade's best films about the lengths one must go to in order to balance strong beliefs with a tolerance toward a secular world that fights against those beliefs."
- Ross Bonaime, Paste Magazine
"Wickedly visceral! Tough, gripping, emotionally rewarding through trenchant plotting!"
- Aaron Hillis, Village Voice
"The film ultimately understands poverty as a profound and often irreversible desolation of terra firma."
- Slant Magazine
"Quietly compelling human drama... (with) a commanding central performance from Margita Gosheva... You become completely captivated by her refusal to surrender to her fate."
- Allan Hunter, Screen Daily
"Rarely has fetishism been portrayed with such intense, empathetic attention to detail."
"Brilliant. An intimate character piece that's all about the details."
- The Hollywood Reporter
"A chic thriller! A top-flight cast gives the character-driven drama depth and conviction."
- Deborah Young, The Hollywood Reporter
"Perfectly cast! This slick, stylish fusion of class critique and murder mystery confirms Paolo Virzi as one of Italy's more dynamic directors."
- Jay Weissberg, Variety
"It's a strange film - constantly hovering on the knife edge between comedy and tragedy - but a riveting one."
- Bilge Ebiri, Vulture.com
"Etienne as the heroine is a harmonising centre, believable, luminous, quiet-spoken, poignant."
- Financial Times
"[An] atmospheric adaptation...driven onwards by a powerful central female performance."
- Eye for Film
"Strong performances are abetted by superb technical contributions, including...a series of gorgeous period costumes."
- The Hollywood Reporter
- Anath White, RogerEbert.com
IF YOU DON'T, I WILL
Winner - Grand Prix - Cannes Film Festival (Critics' Week)
Winner - France 4 Visionary Award - Cannes Film Festival
"The renaissance of Italian Cinema!"
"[A film that] defies our expectations!"
- Screen Daily
"A fascinating Italian film noir, immaculately made!"
1,000 TIMES GOOD NIGHT
"An affecting drama. Deeply compelling....[Binoche's] transformation is as unsettling as the violence she's chronicling."
- John DeFore, The Hollywood Reporter
"[A] gripping, emotionally resonant drama...starring French luminary Juliette Binoche."
- Ronnie Scheib, Variety
"Elegant and aesthetically pleasing! Binoche is particularly terrific."
- Jessica Kiang, The Playlist
LINES OF WELLINGTON
Official Selection - Venice Int'l Film Festival
Official Selection - Toronto In'tl Film Festival
Official Selection - New York Film Festival
"[An] epic historical pageant! ...this rambunctious, rollicking affair sends its creator off with full military honours."
- Xan Brooks, The Guardian
"Handsome, generally well acted...and a detailed and smart look at a point in history."
- Oliver Lyttleton, The Playlist