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XXY
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A LIFE IN DIRTY MOVIES
Directed by Wiktor Ericsson
A Life in Dirty Movies is a love story about legendary sexploitation director Joe Sarno, "the Ingmar Bergman of 42nd Street," and his loyal wife and collaborator Peggy. The film follows the Sarnos for a year, as 88-year old Joe struggles to get a new film project off the ground - a female-centric softcore film that harkens back to the style of his heyday as a filmmaker in the 1960s. As audiences tag along for the eventful and often hilarious journey between wintery Manhattan and the couple's summer retreat in Sweden, the film's intimate perspective reveals a filmmaker on the verge of being rediscovered in his golden years. Intercut is a look back to the evolution of softcore films seen as racy in their day into unmistakable hardcore porn that all but put Sarno and his artform out of business. The film chronicles Sarno's significant place in film history as an erotic "auteur," whose ambitions as a filmmaker often surpassed the needs of the genre he helped define. A Life in Dirty Movies is a clever and sincere portrait of a unique couple who follow their passion in life - onscreen and off.
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ALEXANDRA'S PROJECT
Directed by Rolf de Heer
It's Steve's (Gary Sweet) birthday and he's just been promoted at the office. In a good mood, he goes home to his family expecting to celebrate. Instead, he finds an empty suburban home and videotape labeled 'Play Me.' The tape begins with his loving wife (Helen Buday) providing birthday wishes and quickly segues, to his pleasant surprise, into a striptease. But surprise turns into shock when he sees a gun pointed at her head. As the tape plays, his seemingly ordinary life unravels into a nightmare of mind games and revenge. Along with two brilliant lead performances, acclaimed auteur Rolf de Heer brings to us his visionary new twist on the psychological thriller.
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AMADOR
Directed by Fernando Leon de Aranoa
Marcela, a young immigrant with financial troubles, finds a summer job looking after Amador, a bed-ridden elderly man whose family is away. She thinks her problems are solved, but Amador dies shortly thereafter, putting Marcela in a predicament. His death leaves her jobless, something she can't afford to let happen. Faced with a difficult moral dilemma, Marcela will prove that death can't always stop life.
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CANNIBAL
Directed by Manuel Martín Cuenca
Carlos is the most prestigious tailor in Granada, Spain. His life is a study in details, from the meticulous suits he creates for wealthy clients to the macabre murders he executes in the shadows. He performs these gruesome acts, including dining on the women he kills, without guilt or remorse. When Nina, a beautiful young immigrant from Romania, comes looking for her missing twin sister, she awakens in Carlos a kind of love he'd long since written off. As their relationship builds, based on secrets and deception, Nina's pure innocence will become undeniable, even by Carlos, a man driven by a dark secret. Cannibal is, in the end, a demon's love story.
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FAMOUS NATHAN
Directed by Lloyd Handwerker
FAMOUS NATHAN is the insider documentary by Lloyd Handwerker, grandson of Nathan Handwerker, who founded the legendary Brooklyn eatery and iconic New York institution, Nathan's Famous, in Coney Island in 1916. Over a thirty-year period, Lloyd has filmed, archived and researched the story of both his grandfather and the family-run business. The film contains never before heard audio recordings of Nathan describing his upbringing in a poor village in Poland, emigration to New York and details of creating and running Nathan's for over forty years. Featuring interviews with extended family, friends and the employees who helped make Nathan's the prototype for fast-food made with quality, love and care, it is also very much a story of labor and a chronicle of the people who spent their lives in the employ of Nathan's. Their devotion to serving millions of customers in the hustle-bustle, nano-second speed, day in and day out grind of the restaurant is clear. Rich in nostalgia, FAMOUS NATHAN pushes the boundaries of conventional documentary filmmaking, as kaleidoscopic and layered as Coney Island itself, capturing the honky-tonk, in-your-face spirit that was Nathan's Famous in its hey-day and today.
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FULL MOON IN PARIS
Directed by Eric Rohmer
One of Eric Rohmer's most renowned films, FULL MOON IN PARIS was originally released in 1984 to universal acclaim. Heralded as "a small masterpiece" and "the very best of Rohmer" by The New York Times, it is the story of Louise (Pascale Ogier), a young interior designer bored with her life in the sleepy suburbs with her live-in boyfriend Remi, an architect by trade and a homebody by nature. Eager to lead the life of an independent socialite in the city, Louise arranges to move back into her Paris apartment during the week. Balancing a steady boyfriend in the suburbs with a best friend, Octave (Fabrice Luchini), who makes plain his interest in her, and a bad boy musician who catches her eye at a party, eventually even the sophisticated and aloof Louise cannot untangle herself from the emotional realities of her various romantic encounters. Decades after first impressing critics and audiences alike, FULL MOON IN PARIS remains a modern, wry observation of youth and love.
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HOSPITALITE
Directed by Koji Fukuda
Mikio Kobayashi lives quietly with his wife, daughter, and divorced sister in downtown Tokyo, where xenophobic neighbors insist on them participating in community meetings, and the most exciting thing to happen is the disappearance of a pet parrot. But one day Kagawa appears, claiming to be the son of a financier who once helped Kobayashi's company. In return for his family's past help, Kagawa requests to move in, and Kobayashi's quiet lifestyle is quickly forgotten when Kagawa invites his Brazilian (or is she Bosnian?) wife and a myriad of eclectic and foreign visitors to join him in the cramped apartment. The Kobayashis are comically tossed about in confusion as Kagawa and his associates run amuck in their home. Kagawa, with the help of his visitors, manages to reveal old secrets and stir up the monotony of Mikio's former life with affairs, blackmail, and rampant youthful partying.
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ILO ILO
Directed by Anthony Chen
Set in Singapore during the 1997 Asian financial crisis. Ilo Ilo chronicles the day-to-day drama of the Lim family - troublesome grade-schooler Jiale and his overstressed parents, Heck and Leng. Comfortably middleclass and with another baby on the way, they hire Teresa, a Filipino immigrant, as a live-in maid and nanny. An outsider in both the family and Singapore itself, Teresa initially struggles to manage Jiale's antics and find her footing in her new community. The two eventually form a unique bond, but just as Teresa becomes an unspoken part of the family, unforeseen circumstances in an uncertain economy will challenge the new normal yet again.
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KEY OF LIFE
Directed by Kenji Uchida
A case of stolen identity and one determined bride-to-be intersect in this comedic escapade from famed Japanese filmmaker Kenji Uchida. Struggling actor Sakurai is out of work, out of luck and can't even succeed at taking his own life. When a mysterious man slips and falls at the bathhouse, Sakurai switches locker keys and identities with the man, who turns out to be a hit man named Kondo. His memory lost in the fall, Kondo begins piecing 'his' life as Sakurai back together with the help of Kanae, a young woman he meets in the hospital, who is determined to find a husband. Meanwhile, Sakurai, posing as Kondo, incurs the wrath of ornery gangsters. As the truth about Kondo and Sakurai comes to light, they must scramble to resolve the chaos of this topsy turvy chain of events.
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LAKE TAHOE
Directed by Fernando Eimbcke
Teenage Juan crashes his family's car into a telegraph pole on the outskirts of town, and then scours the streets searching for someone to help him fix it. His quest will bring him to Don Heber, an old paranoid mechanic whose only companion is Sica, his almost human boxer dog; to Lucía, a young mother who is convinced that her real place in life is as a lead singer in a punk band, and to "The One who Knows," a teenage mechanic obsessed with martial arts and Kung Fu philosophy. The absurd and bewildering worlds of these characters drag Juan into a one day journey in which he will come to accept what he was escaping from in the first place--an event both as natural and inexplicable as a loved one's death. What begins as a mundane adventure quickly becomes a transformative journey exploring issues of death, family, love and sex.
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MADEINUSA
Directed by Claudia Llosa
Madeinusa is a sweet-faced 14-year-old girl who lives in a dirt-floor house and dreams of the world beyond the village. It is the custom of her town that from Good Friday at three in the afternoon through Easter Sunday, sin does not exist. On the eve of this time of small-town debauchery, Salvador, a young geologist from Lima, accidentally comes to town. The town greets him with curiosity and ire, then imprisons him out of fear that he will interfere with the festivities. But Madeinusa, ever curious about things from the big city, is drawn to him, and her fate begins to turn unexpectedly as she awakens to new experiences of love, lust and sexuality.
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MOEBIUS
Directed by Ki-duk Kim
The husband. The wife. Their son. The atmosphere at home is ice cold - the husband distracted by an affair with a young woman, the wife sick of her husband's debauchery, and the teenage son indifferent to them both. Overwhelmed with hatred, the wife attempts to remove from the husband the organ driving his desires; thwarted, she instead takes out the violent act on the son and then disappears into the night. At the hospital, the husband is distraught with guilt, severing his own manhood in solidarity and setting out to recover his son's happiness, sacrificed to his parents' conflict. Disfigured in such a radical way, the son slowly deviates from normal life, even falling for the husband's young mistress as the husband discovers strange and severe ways to help his son find pleasure again. With both husband and son damaged and living in grief, the wife returns as the family heads towards destruction even more horrific than before.
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OT: OUR TOWN
Directed by Scott Hamilton Kennedy
Against all odds, the first theatrical production in over 20 years at Dominguez High School is going to be Thornton Wilder's American classic "Our Town." The kids at this Compton school are about to experience more than a culture clash, as they embark on a rich journey and discover the educational and social value of theater. OT: Our Town tells the story of human spirit and its strength against the clichés attempting to hold it down. Where Wilder wrote about little Grover's Corners, this documentary exemplifies how Our Town is every town, Our Town is Compton.
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PROTEKTOR
Directed by Marek Najbrt
1938, Prague. Emil, a radio reporter, is married to the beautiful Hana, an actress whose new film has catapulted her into fame. As the Nazis come to power, however, Hana's Jewish heritage precipitates her fall from stardom to the bottom of the social ladder. In order to protect her, Emil compromises himself collaborating with the new Nazi-controlled state radio station. But as Emil starts enjoying the attention and respect that had previously evaded him, his fidelity and loyalty towards his wife begin to falter. The assassination of the Third Reich Deputy Protector and a chance encounter on a bicycle bring their lingering marriage to a crisis, possibly sealing Hana's fate.
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SOMERS TOWN
Directed by Shane Meadows
From the director (Shane Meadows) and star (Thomas Turgoose) of THIS IS ENGLAND comes this wry and captivating coming of age tale. Two teenagers, both newcomers to London, forge an unlikely friendship over the course of a hot summer. Tomo (Thomas Turgoose) is a runaway from Nottingham; Marek (Piotr Jagiello), a Polish immigrant, lives in the district of Somers Town, between King's Cross and Euston stations, where his dad is working on a new rail link. Marek lets homeless Tomo move into his room, unbeknownst to his father. The pair forms a hilarious bond, as they work odd jobs for an eccentric neighbor and compete for the attention of Maria, a beautiful young French waitress with whom they are both infatuated. But it's only a matter of time before Marek's dad discovers what's going on...
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TANTA AGUA
Directed by Ana Guevara and Leticia Jorge
What could be worse than being 14 and on vacation with your father, stuck indoors during a seemingly endless rainstorm? Alberto and his two children, Lucia and Federico, set off to a hot springs resort for a short vacation. Alberto, who doesn't see his kids much since the divorce, refuses to allow anything to ruin his plans. But the springs are closed until further notice due to heavy rains, and Lucia's adolescent rebellion clashes against her father's enthusiastic efforts for family quality time. When she meets friends her age, equally bored at the rained-out resort, Lucia's vacation starts looking up. But flings can be fleeting, and it's her father's reliable insistence they spend time together that proves to be the most meaningful part of their unexpectedly enjoyable getaway.
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THE BOTHERSOME MAN
Directed by Jens Lien
Andreas arrives in a strange city with no memory of how he got there. He is presented with a job, an apartment and a beautiful girlfriend, but before long, Andreas notices that something is wrong. The people around him seem cut off from any real emotion and communicate only in superficialities. He makes an attempt to escape from the city, but he discovers there is no way out, and even several attempts to kill himself prove unsuccessful. Andreas meets a man who has found a crack in a wall in his cellar. Beautiful music streams out from the crack, but from where? Is it the way out?
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THE DARK VALLEY
Directed by Andreas Prochaska
Somewhere high in the Alps, a lone rider makes his way along a hidden path and reaches a small village, tucked away between the steep mountains. This stranger goes by the name of Greider; nobody knows where he's from and, met with blatant distrust, nobody wants him in the village. The sons of Old Brenner, the village patriarch who holds the entire community under his threatening, violent ways, would have chased him away if Greider hadn't given them a fistful of gold coins. Greider introduces himself as a photographer, and Brenner's sons provide him with shelter for the winter at the house of widow Gader and her young daughter, Luzi. Soon to be married to her sweetheart, Lukas, Luzi is full of trepidation as the big day draws near because, in this valley, a wedding comes with a terrible tradition. And whoever opposes this tradition will be subjected to a merciless punishment.

In the depths of winter, the village cut off by snowfall and barely a ray of sunlight reaching the valley, a tragic accident leads to the death of one of Brenner's beloved sons. When another son is mysteriously killed, it's clear this is not a coincidence: the time has come for Brenner's family to pay, and Greider plans to settle a score long forgotten by everyone but him.
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THE DRUMMER
Directed by Kenneth Bi
Sid, the rebellious son of a controlling and savage mafia boss in Hong Kong, has to flee to the beautiful mountains of Taiwan upon enraging his father's violent adversary by seducing his teenage mistress. Hiding out in the mountains, Sid encounters a group of Zen drummers whose mesmerizing art, rigorous physical training, and austere way of life pique this hostile urban young man's interest and he requests to join the group. Although Sid despises his father, he is turning out to be a younger version of him: wild and defiant. Immersing in the world of the Zen drummers eventually converts him into a firm and focused young man. Sid's independence from the mafia life and his father is profoundly challenged, however, a twist of fate awaits him back home in Hong Kong and forces him to choose between loyalty to his family and his new found faith in himself.
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THE IRAN JOB
Directed by Till Schauder
When American basketball player Kevin Sheppard accepts a job to play in one of the world's most feared countries - Iran - he expects the worst. But what he finds is a country brimming with generosity, acceptance, and sensuality. With a charismatic personality that charms everyone he meets, Kevin forms an unlikely friendship with three outspoken Iranian women who share with him their strong opinions on everything, from politics to religion to gender roles. Kevin's season in Iran eventually culminates in something much bigger than basketball: the uprising and subsequent suppression of Iran's reformist Green Movement - a powerful prelude to the sweeping changes currently unfolding across the Middle East in the wake of the Arab Spring.
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THE VIOLIN
Directed by Francisco Vargas
Somewhere in Latin America a family of musicians and modest farmers join a fearless guerilla movement attempting to overthrow the brutal and sadistic government. When the military seizes their village, they flee to the sierra hills, forced to leave behind their stock of ammunition. While the guerillas organize a counter-attack, old Plutarco plays up his appearance as a harmless violin player in order to get into the village and recover the ammunition hidden in his corn fields. His violin playing charms the army captain, who orders Plutarco to come back daily. With tension escalating sky-high, guns and music take on a near holy significance with hundreds of lives hanging in the balance.
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TO KILL A MAN
Directed by Alejandro Fernández Almendras
Hardworking family man Jorge is just barely making ends meet. When he gets mugged by Kalule, a neighborhood delinquent, Jorge's son decides to confront Kalule, only to get himself shot in the process. Sentenced to a scant 2 years in prison for the offense, Kalule, released and now intent on revenge, goes on the warpath, terrorizing Jorge's family. With his wife, son and daughter at the mercy of a thug, Jorge has no choice but to take justice into his own hands, and live with the emotional and psychological consequences.
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TROUBLED WATER
Directed by Erik Poppe
Jan, recently released from prison after serving time for the murder of a child, has always maintained his innocence and is ready to put the past behind him. A gifted organist, he takes a job at an Oslo church under his middle name, Thomas. His talent and gentle manner quickly earn him the respect of his superiors, as well as the love of the pastor, Anna. Thomas even overcomes his initial panic to return the affection of Anna's young son, Jens. But his past catches up with him when Agnes, a local teacher, comes to the church on a school visit and recognizes the organist as Jan, the young man who was convicted for the murder of her son.
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WELCOME
Directed by Philippe Lioret
Bilal, a 17 year-old Kurdish refugee, has struggled his way through Europe for 3 months, trying to reunite with his girlfriend, who recently emigrated to England. But his journey comes to a halt when he's stopped by authorities on the French side of the Channel. Left with no alternatives, he decides to swim across, and goes to the local swimming pool to train. There he meets Simon, a swimming instructor in turmoil over his imminent divorce. Simon agrees to help Bilal, hoping to win back the love of his wife, who does volunteer work helping immigrants. But what begins as a relationship based on self interest, develops into something much bigger than Simon could ever have imagined, as he too will have risk everything to reach happiness.
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XXY
Directed by Lucia Puenzo
For just about everybody, adolescence means having to confront a number of choices and life decisions, but rarely any as monumental as the one facing 15 year-old Alex (Ines Efron,) who was born an intersex child.  As Alex begins to explore her sexuality, her mother invites friends from Buenos Aires to come for a visit at their house on the gorgeous Uruguayan shore, along with their 16-year-old son Álvaro (Martin Piroyanski.) Alex is immediately attracted to the young man, which adds yet another level of complexity to her personal search for identity, and forces both families to face their worst fears.
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