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"A freshness of observation and a sparky sense of wonder about its protagonists means that Michael Vinik's debut feature retains the keen edge of authentic experience."
- Jonathan Holland, The Hollywood Reporter
"Seriously, this movie bleeds cool in a way a lot of American indies only wish they could. But the coolest part? Watching two angsty teenage girls fall for each other."
- Daniela Costa, AfterEllen.com
"Michal Vinik's fresh, frank look at coming out and coming of age in contemporary Israel."
- Guy Lodge, Variety
"Bercot is heartbreaking, and Cassel has never been better... it's clear that Maïwenn has something to say - and a clear, strong style with which to express it."
- Peter Debruge, Variety
"Perhaps what's really different about this film, unlike the innumerable others where someone falls in love with someone else who turns out to be bad news, is that it's from a woman's perspective for a change, and she's the relatively sane one bewitched by beauty and charm."
- Leslie Felperin, The Hollywood Reporter
"Maïwenn wants to explore the sort of toxic long-term relationship that can ensnare even the sanest, wisest people...seeking to understand how luckless individuals stuck in on-again/off-again relationships remain trapped."
- Tim Grierson, Paste
NEITHER HEAVEN NOR EARTH
"...gripping mash-up of LONE SURVIVOR, THE THING, and THE BLAIR WITCH PROJECT that pits a squad of French soldiers against a supernatural menace far deadlier than the Taliban."
- Jordan Mintzer, The Hollywood Reporter
"Clement Cogitore's striking debut puts an inventive fresh, uncanny spin on the War in Afghanistan soldier study."
- Guy Lodge, Variety
"...a haunting and original work."
- John Bleasdale, Cine-Vue
MEN GO TO BATTLE
"An instant-classic Western..."
- Richard Brody, The New Yorker
"...takes us back into the everyday lives of such a troubled time period without feeling heavy-handed or manipulative."
- Meredith Alloway, The Daily Buzz
"A darkly comedic but historically accurate look at two brothers whose escalating pranks are interrupted by the Civil War."
- Jeremy Kay, Screen Daily
MY LOVE, DON'T CROSS THAT RIVER
"...gentle, elegant and genuinely moving...MY LOVE, DON'T CROSS THAT RIVER is a wonderful documentary that tells a story of [undying] love."
- Hugo Ozman, Twitch Film Sydney
"Go and see MY LOVE, DON'T CROSS THAT RIVER: if, by its ending, it hasn't moved you to your core, you have an invulnerable heart."
- Andrew Blackie, Film Ink Australia
SCHNEIDER VS. BAX
"Putting the "dead" back in deadpan, the ninth feature of van Warmerdam is his most Coen brothers-like film yet, a western in the Dutch wetlands that's as unpredictable as it is darkly funny."
- Body van Hoeij, The Hollywood Reporter
"...the more absurd the circumstances, the more entertaining the movie gets."
- Peter Debruge, Variety
"Van Warmerdam unfolds his rapidly escalating comedy of errors here with remarkable precision and craft."
- Todd Brown, Twitch Film
THE AUTOMATIC HATE
"Nothing short of brilliant."
- Alexander Lowe, We Got This Covered
" [One of] the 10 best films I saw at SXSW 2015... [with] the most explosively uncomfortable dinner party scene ever."
- Ryan Lattanzio, Indiewire
"An unconventional love story that also crosses boundaries into a family drama, psychological thriller, mystery and morality play... [it] is fascinating, and creates a film that is both challenging and entertaining."
- Ain't It Cool News
"Fantastic portrait of a band and its leader that works on so many different levels. What I love about the film is that what starts out with a look at a band changes into a look at what it takes to be in a band and how the relationships outside of the band are forced to change because of the dynamics of the band."
- Steve Kopian, Unseen Films
"10 Must-See Documentaries at DOC NYC."
"The members of Peelander-Z unmask themselves for revealing new doc MAD TIGER... For close to two decades fans have known the band with their personas held firmly in place, their colorful costumes seldom removed, but the opportunity to meet Peelander-Z has finally arrived, and the line between artist and person is blurring."
- Silvas Valentino, Village Voice
"Never in a million years would someone be able to watch this film for the first time and guess that it's a debut feature. So assured is the direction, so purposeful is the camera."
- Nikola Grazdanovic, The Playlist
"...crisp, starkly beautiful compositions, contrasting claustrophobic human activity with the ocean's vastness."
- Maggie Lee, Variety
"While the film is expertly made, all its visual thrills are present to serve the characters and their complexly interwoven moral trajectories... "
- Pierce Conran, Twitch Film
"A classic adventure film of the best kind, and one that's rarely seen these days!"
- Jay Weissberg, Variety
"THEEB is a jewel! Hail to the power of cinema."
- E. Nina Rothe, Huffington Post
"Theeb deals with is nothing less grand than survival; survival on an individual level for the protagonist but also the survival of a culture and a way of life."
- Boyd van Hoeij, The Hollywood Reporter
"Knockout performances, almost flawless drama."
- Leslie Felperin, The Guardian
"Its melancholic beauty is elicited from the decisively enthralling cinematography and two utterly intense performances."
- Carlos Aguilar , Indiewire
"Before anyone has even said anything, the economy of Barrett as a storyteller is abundantly clear."
- Hollywood Reporter